Her theatrical hits combine serious subject matter with great accessibility, mixing adaptations of literary classics with ...

In a world where every piece of content can be manipulated and every image generated by an algorithm, can we be sure any ...

Wojciech Śmieja explores how Polish masculinity has shifted over time—from 19th-century ideals to socialist and post-1989 ...

Pianist Ignacy Lisiecki shares insights on his musical career in Japan, cultural contrasts with Europe, and his efforts to ...

Yasuko Shibata explores the emotional and ideological ties between Polish Romanticism and Japanese culture. Through her ...

What does a conversation between the Skamander poets and the avant-garde look like? What does a frog do in Białoszewski’s poetry? Who did Grochowiak want to be? Whom does Krynicki esteem? And what ...

Alicja Żebrowska is a Polish artist whose multimedia works from the 1990s onward explore gender, sexuality, and identity through provocative, symbolic imagery. Blending esotericism, feminism, and ...

Selling Polish literature to foreign publishers is a complex process that requires market intuition, determination, awareness of trends, and above all, patience. While there are occasional small and ...

In the spirit of the Poland–Romania Cultural Season 2024–2025, we dive into the surprising depth of Polish-Romanian connections across language, history, and art. From shared Slavic roots in Romanian ...

ウッチ繊維博物館のコレクションの中でも特に興味深い分野のひとつが、ポーランドの文化を再解釈し、あるいは共に創り上げてきた自主的に活動するデザイナーたちによる現代ファッションである。彼らの作品の魅力は、大胆に感情を表現する姿勢にも表れている。

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ヨアンナ・ハヴロットによる日本を舞台としたプロジェクトにおいて、織物は魂と身体の束縛について語る物語となる。現代における女性性の定義は、衣服や装飾品といった属性の集合ではなく、自己認識を深め、主体性を獲得するために費やされる内的な努力に見出される。