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The Congolese director blends a bit of Speed (1994) and Saw (2004) for a lightweight but exciting story of two unlucky Americans who wake up in Dakar with bombs strapped to their chests.
More hidden gems, chosen by critics and filmmakers including Steven Soderbergh, Jane Schoenbrun and Asif Kapadia. Inside: B. Ruby Rich on Sorry, Baby, Peter Sellers at 100, Stephanie Rothman’s ...
Tragedy draws successful German orchestra conductor Tom back to his complicated family in a bleak three-hour saga from Matthias Glasner that finds hope in the darkest of places.
The magic of Charles Laughton's Southern gothic one-off may be in Mitchum's willing flamboyance, argued David Thomson in our April 1999 issue ...
It’s a pleasure to watch the super-charged dynamics of the Fantastic Four, but attempts to fit this retrofuturistic family unit into the wider ‘Marvel cinematic universe’ feel clumsy.
Censors quibbled some of the adult language in the script, but otherwise passed this boundary-pushing drama starring Julie London and Anthony Steel as a married couple seeking out a fertility clinic.
From the dystopian visions of Brazil and Twelve Monkeys to the surreal odyssey of The Fisher King, Terry Gilliam has spent half a century defying cinematic convention. In this wide-ranging interview, ...
Mohammad Bakri is one of the founding fathers of Palestinian cinema, with four of his sons now actors too. He tells us about growing up with a cinema but no electricity, the burden of playing ...
Across the world, directors have used the heatwave as a metaphor for urban disaffection, abandonment and unrest. Outside of cities, blistering heat feels like nature’s violent reckoning with those too ...
Plus on stage appearances from Ridley Scott, Tim Burton, Neil Tennant, Nadia Fall, Pooja Kaul, David Mitchell, Robert Webb and more.
As the new adaptation of Jim Crace’s novel Harvest opens in cinemas, we gather in a bounteous crop of previous films that have captured life on the land and the rolling beauty of the British ...
Thirty years on, Clueless director Amy Heckerling looks back at remodelling Jane Austen in modern Beverly Hills, her struggles to get a foothold in the film industry, and why she’s nothing like the ...
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