The creative scope of French pianist Sophie Agnel is demonstrated across two remarkable albums, writes Stewart Smith in The Wire 501 ...
Post-industrial metal bashing agit-propers now focused around the founding duo of Paul Jamrozy and Gray Cunnington playing remixes of early material and a preview of new material. Watch out for a ...
A new Foley based production at London's Royal Court Theatre invites us into the sound-making world of animals, writes Giles ...
Felix Kubin compiles an annotated playlist of tracks from the nonconformist German label ZickZack, in honour of its founder ...
In The Wire 501, Robin James argues that the influential cultural theory of hauntology does not account for developments in Black creative practices and music of the late 20th and early 21st centuries ...
Listen to the music we played to Lord Spikeheart during his Invisible Jukebox interview in The Wire 501 Each month in the magazine we play an artist or group a series of tracks which they are asked to ...
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Subscribers: read this issue online. Subscribe to the magazine. Buy issue 494. Inside our brand new issue: Raven Chacon: The Diné/Navajo composer foregrounds unheard and silenced voices in his radical ...
The 29 May edition of The Wire’s weekly radio show on Resonance FM and Resonance Extra featured tracks by Basel Abbas & Ruanne Abou-Rahme, Hampus Lindwall, Jackie-O Motherfucker, Mourning [A] BLKstar, ...
Downer songs from Galway singer, songwriter, producer and CANVAS co-founder with a new album Songs For Nothing (AD93).
Trio of Adam Bohman, Jonathon Bohman and Sophie Sleigh-Johnson mixing up found texts, found sounds, bowed objects, electronics anad cassettes.
To accompany his report on Collapsing Drums in The Wire 500, Spenser Tomson explores a playlist of releases from the pandemic ...
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